Just a simple status update?
Ben Anderson, Wednesday 3:30 Tutorial, Student # 3878624
Facebook is one
of the most significant services to emerge over the past few years, providing
mechanisms for individuals throughout the world to communicate and interact
with one another via the internet. Social media is almost imperative in modern
society for individuals to remain in contact with one another, making up a
significant portion of daily communication between people. Facebook, as a vast
social networking and interactional mechanism, has given rise to a variety of
significant social phenomena which are of great interest to sociologists. This
essay will examine a piece of data taken from Facebook, and interpret it under
a sociological light. It will initially discuss the data and explore Facebook
as a society with its own norms and rules, before going on to discuss the
notion of symbolic interactionism, looking at the ‘like’ button and how the
meaning of this action changes according to context. It will then go on to
discuss who this links in to identities, both in the physical and virtual
worlds, as well as providing an application of Goffman’s dramaturgy metaphor,
all with reference to the following piece of data:
This particular
data is an official statement made by Woolworth’s supermarket on their Facebook
page. The announcement is in relation to the Alan Jones controversy and how Woolworths
were to withdraw all advertising sponsorship from the program to demonstrate
their disagreement with his statements. The data also displays a selection of
comments that were made on the announcement by individual Facebook users, as
well as the tallies of the number of people who ‘liked’ the announcement, those
who ‘liked’ the individual comments, as well as those who shared the
announcement in their own Facebook profiles. The various comments have formed
into some sort of discussion in regards to the controversy, which has then
invited various political debates, as well as talk on the topic of bullying. It
is worth noting that Woolworths does have the option to delete comments,
however there has been no deletion since the initial capture of this data.
Further, for basic privacy I have censored the last name of the people involved
in this interaction, however I will provide the link to the actual announcement
on Facebook.
The announcement and comments from the Woolworths page were chosen as they demonstrate several interesting
aspects of social media. It clearly shows the use of the ‘like’ and ‘share’
features on Facebook, the role of businesses and marketing on Facebook, as well
as interactions between strangers which has evolved into debate, which is ultimately
breaking a social norm. It is further evident in this data the formation of
various sides; however, the overall power in the situation is retained by Woolworths
social media team, as at any given moment they can intervene. The two sides can
be categorised into those who support Woolworths’ action on Alan Jones, and
those who do not, however, there are further political divisions evident.
Voicing their frustrations with the announcement there is Andrew F (the one
with two people in his picture) and Jezza, while the others are in support of
the statement being made, for this essay I will focus mainly on the characters
of Andrew F and Luke, as they are the most engaged within the conversation.
Further, others, both who are involved and not involved in the actual
discussion, have demonstrated their support for each comment made through pressing
the ‘Like’ button.
A particularly
interesting feature about this data is its setting, in that Facebook is almost
a virtual society with its own sets of rules, regulations and social norms.
From Garfinkel’s breaching experiments Heritage (1984, p. 83) says that rules
and social norms do not derive from morality or tradition, but “if conduct
cannot be interpreted in accordance with the rules, the social organization of
a set of ‘real circumstances’ simply disintegrates.” Further, Kameda et al
(2005, p. 334) conclude that social norms emerge to ensure successful
coexistence. Applied to Facebook, we can see that there are both explicit and
implied rules, with a statement of “community standards” existing which relates
to issues such as violence, threats, self-harm, bullying, hate speech, graphic
content, privacy, nudity and pornography, intellectual property and spam
(Facebook, 2012). In terms of the implicit rules, it is evident that various
groups of people have norms of how they communicate, this could include the
definition of a like, when and who to contact, or in the circumstances of the
data, how to respond to an argument, and what it means to like someone’s
statement. Cross (2012), goes as far to list a variety of different ‘implicit’
rules which can be observed when communicating with others on Facebook:
Some further discussion on these implicit norms can be found here.
1. I should expect a response from this person if I post on his/her profile2. I should NOT say anything disrespectful about this person on Facebook3. I should consider how a post might negatively impact this person’s relationships.4. If I post something that this person deletes, I should not repost it.5. I should communicate with this person outside of Facebook.”
It is evident
that in these interactions that there are many implicit social breaches taking
place, in that these are complete strangers arguing. Further, this is taking
place in a public arena for all to see and these people are seemingly using
their real names. However, this is demonstrative of how the internet has changed
general social norms, but it is still generally not acceptable to argue in such
a fashion on Facebook, especially if it is in an incorrect forum, such as the
Woolworths wall.
What is
particularly unique to many social media services, including Facebook, is the
notion of the ‘like’ button, and tally associated with it. The meaning of the
‘like’ button is highly variable, and should not be observed at face value. The
‘like’ feature is demonstrative of a ‘social object’ which Blumer (1969, p.
68), says “consist[s] of whatever people indicate or refer to.” This substantiates that objects are given
their meaning by what others seem to attribute significance to (Charon, 2007,
p. 46; Roberts, 2006, p. 48), bringing up the idea of symbolic interactionism
in relation to the meaning of language. At the conversational level it is
evident that the ‘Like’ feature is attributed the meaning of agreement, for
example, in this comment:
In this particular comment, ‘Luke’ has
received 11 likes, and comparatively, Andrew F has received 3 likes. Upon
further inspection, one can review who has actually ‘liked’ the comment, and
the following came up:
It is evident
that a different group of people liked Andrew’s comment to that of Luke’s,
which indicates the formation of opposing sides, even by those who are not
actively communicating within the conversation. This could consequently change
the meaning of the initial social object, that is, the like button, in that
they may be liking the opposing comments to demonstrate their disagreement with
the opposing side, rather than attempting to show their agreement with the
comment being made because a ‘dislike’ button is not present. On further
analysis, it is evident that ‘liking’ the actual announcement by Woolworths is
demonstrative of agreement with the statement, or possibly acknowledgement of
what is being said. A further variation of the meaning of the ‘like’ button is
the Woolworths page itself. People can ‘like’ the page and this can indicate a
number of interactions, for example, one may want to be in contact with the
supermarkets marketing team, or they may want to let everyone know that they
shop at Woolworths and this is part of who they are, which leads in to the idea
of the ‘like’ button, Facebook and mediated identities.
The ‘like’ given to someone could be thought of as a reference point for
approval of one’s identity, which could see the establishment of something along
the lines of an attention economy. This fits Cooley’s ‘looking-glass self’ idea
which details that one defines the self through reference to how others see
oneself (Robinson, 2007, pp. 94-95). Cooley states that one does this by
viewing oneself from another’s point of view through looking at ones
“appearance, manners, aims, deeds, character friends, and so on” (1902, p. 17).
In terms of the data from the Woolworths Facebook page, it could be said that
some of the commenters are knowingly making comments in the public forum simply
as a way to secure an aspect of their identity. The like button, in this
situation, would be a way for the individual to gauge their acceptance by
others, and quantify how others see them in order to define their own self, and
see if this leads to a ‘coincidence of placement and announcement’. As the like
button quantifies the particular interactions, the number can then be compared
to others which then allow one to place them in a ranking as to where they fit
in in their reference group or in society as a whole. For example, the comments
by Andrew may have simply been made so that he could gain reassurance of his
sense of self. Consequently, this further demonstrates how variable the like
button is in terms of a social object.
Moving on to the actual text in the data, it is evident that when
combined with the ‘like’ feature, it contributes to one’s identity. Stone
(1981, p. 188) says that the construction of identity relates to three main
activities: “Identity announcement”, “identity placement” and a “coincidence of
placements and announcements”. In looking at Andrew’s comments, we can see that
he is making an announcement that he can speak up, is opposed to the ‘bullying’
of Allan Jones, and determines his political stance through expressing a
disliking of Julia Gillard:
So in terms of making an ‘identity placement’ one could categorise Andrew
as outspoken, politically unsupportive of the Labor party, and an avid listener
to the Allan Jones radio show. It would also be possible to click through to
Andrew’s or any of the other participant’s profiles to further aid in ones
placement of these identities, but this presents to us the issue of mediation
in regards to identify formation and identification. For example, Goffman
(1959) says that in constructing and reading an identity one can use the
physical settings and a ‘personal front’, however in an online environment this
is almost impossible. This idea is further reiterated by Zhao et al (2008, pp.
1817-1818) who says that the disembodiment made allowable through mediated
communication relinquishes the ability of one to assess the individual’s
physical appearance and other key characteristics. Stone (1996) and Turkle
(1995) further say that this form of identity production allows people to “play-act”
at being someone different to their usual self, allowing one to cover any flaws
and produce a more desirable personality. So referring back to the data, we do
not even know if any of these profiles are real, and this brings about the idea
that a successful identity reading could only take place in the physical world,
however, Goffman has detailed the idea that we have multiple identities, and
the various ones on exhibit in the data could just be one of those of the participants.
Further analysis of the data can come from Goffman’s (1971) concept of
dramaturgy, which uses the theatrical stage as a metaphor for analysis of interactions.
In applying Goffman’s (1971) metaphor to this data, it does require some
careful thought, in that it was originally composed with reference to physical
interaction and internet mediated communication often rids communication of the
‘setting’ which Goffman says includes things such as “furniture, décor,
physical layout and other background items” (1971, p. 32). Nevertheless, the
setting could be changed to mean the actual space in which the conversation is
carried out, and that is the Woolworth’s page and announcement, which is
subsequently also the ‘front’ in this interaction, which is denoted by the “public”
button, indicating it can be viewed by absolutely anyone:
This means that all the conversation
and likes are presented to anyone and, whether the participants know it or not,
the interactions are offered up in the construction of their identities. In
moving on to the feature of the backstage in the data, which Goffman (2010, p.
204) defines as a place where “costumes and other parts of personal front may
be adjusted and scrutinized for flaws’, it is evident that this includes the physical
person, as well as all the information that is hidden, such as that only
available to friends of the participants. This idea further exhibits area where
further study can be undertaken to learn more about mediated identities and
what it means for society.
The interactions that have taken place in this seemingly simple everyday
Facebook communication have yielded some interesting sociological analysis.
Mediated interaction and the associated features with this form of communication
have demonstrated some new, interesting social phenomena that take place, such
as the ‘like’ button. Further, the notion of identity strongly relates to the
social phenomena, and presents potential for further interesting research into
the area and how it impacts on interaction and the formation of identity.
References
Blumer, H, 1969, Symbolic
Interactionism: Perspective and Method, Englewood Cliffs, New Jersey,
Prentice Hall
Charon, J.M, 2007, Symbolic
Interactionism: An introduction, An interpretation, An Integration, 9th
edition, Upper Saddle River, New Jersey, Pearson Prentice Hall
Cooley, C.H, 1902, Human nature and the social order,
New York, C. Scribner's Sons, accessed 30th October 2012, http://hdl.handle.net/2027/uc2.ark:/13960/t2k64cp4n
Cross, A, 2012, ‘Revealing the unwritten, and often complicated,
rules of Facebook etiquette’, National
Post, 1st May, accessed 25th October 2012, http://news.nationalpost.com/2012/05/01/revealing-the-unwritten-and-often-complicated-rules-of-facebook-etiquette/
Facebook, 2012,
accessed 25th October 2012, https://www.facebook.com/woolworths/posts/400380796700724
Facebook, 2012, Community Standards, accessed 25th
October
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